Workers at a protest, from The Battle of Chile, Dir Paricio Guzman, Venezuela /France/Cuba 1973-1979.
It’s all about shouting at the ICA today. Leandro Cardoso and Ana Laura Lopez de la Torre (who explains that “Uruguay is the only country in the world where god is spelled with a lower-case g”) present a workshop on Latin American political chants. After listening to unidentified recordings of protests and manifestations, we’re asked as a ‘listening exercise’ to think about what these sounds of demonstrations, speeches and streets clashes might be. The particpants (mostly students) reckons that some are ‘melodious’, others sound ‘tribal’, and one ventures to speculate on the number of amplification and recording devices that the voices have been filtered through to reach us. It turns out that all the recordings are from Chile in the three years running up to the CIA-back coup and murder of Allende (which Leandro pronounces almost as ‘Agenda’), some of them stripped and looped from the soundtrack to Patrico Guzman‘s Battle of Chile.
Our education over, we turn to practical exercises. We chant the word ‘freedom’ until it becomes meaningless to us (pretty quick, that) and then one participant is given Leandro’s mic and told to address and exhort us: we are told in turn to shout him down. Thirty people with their bare voices shouting down one man with an amplified voice is quite exhilarating, though I quickly feel the legacy of too many cigarettes: a street-corner orator I’ll never be.
We go on to follow the recordings and join in the chants: a la Plaza and trabajadores al poder! There’s something sublime about chanting together, even in the hallowed halls of art and isolated from politics. Leandro laughs at the students chanting about the workers and opines that though some talk about ‘re-enacting’ political events, we are not Chileans, and we are not in Chile thirty-five years ago, as if our worlds are incommensurable.
Meanwhile, outside Parliament, as MPs angrily debate their grocery receipts, Tamils protesting against the government genocide in Sri Lanka have broken the bounds of permitted protest. An email from an entity called CommunitySafe comes round to our desks:
A large number of Tamil protestors have spilled onto the road area surrounding Parliament Square, They have also advanced onto Westminster Bridge, this has brought traffic into the area to a total standstill. Please do not make any attempt to travel towards or through this area on either foot or by vehicle. Roads are likely to remain closed for some considerable time. Please refer to media outlets for updates.
Avoid Tamil protestors today. Maybe in thirty-five years time, we will be shouting Tamil slogans in the ICA galleries.
Posted in antiwar, art, death, film, ica, politics, Uncategorized
Tagged 1973, Ana Laura Lopez de la Torre, art, chants, Chile, ica, institute of contemporary arts, Leandro Cardoso, Patrico Guzman, politics, protest, Salvador Allende, slogans, speech, Talk Show, Tamil
Fuck them first and foremost for their exclusiveness, for drawing a line between them and you and putting themselves on the creative side of it. Fuck them for saying that what they do counts and what you do doesn’t. Fuck them for the over-inflated notion of their own ‘creativity’.
Fuck them next because what they actually do create is awful. Acres of anxiety-inducing advertising, tedious dadrock and festering beehives of migrainous office blocks. Because it’s cancer before it’s even left the drawing board. Because they treat housing as sculpture, text like pictures and everything they do as an excuse to invite celebrities to a party.
Fuck them then because they really are an industry, an ugly, landscape-scarring, mind-polluting industry, treating talent like a mine and inspiration like dirty fuel. Fuck them again because of the frequency with which they demand subsidy and succour for their industry when they decide it’s an art. An entrepreneur wearing a t-shirt of a band you like is still an entrepreneur. And an entrepreneur is just a small maggot who wants to be a fat maggot. One day, he’ll grow up to be a fly and shit in your food.
Fuck the creative industries because they promise to bring change, innovation and ‘disruption’ to the table before serving the same old bitter vinegar in impractically-shaped new bottles. People who think that product design ‘shapes the way we live’ should be permanently rehoused on a Midlands sink estate and mugged repeatedly until they develop better theories about the relationship between aesthetics and social formation.
An office with distressed plaster walls is still an office
An office full of folding bicycles is still an office
An office with a ping-pong table, pool table or football table in it is still an office
… and the people working in it are still drones.
Fuck them because they flood our eyes and ears with media like a backed-up sewer. Their whip pans, crash zooms and tedious electronics soundtracks are the vectors of a deadly, suffocating cholera of distraction. Their synchronised escalator adverts are a Nuremberg rally of the imagination.
Fuck their unshakeable faith in the importance of what they do. Talking to a graphic designer shouldn’t feel like talking to a Moonie. And fuck their “communities”, an insect-hive circle-jerk, a babbling repetition of the same meaningless cliches.
Fuck their ant-like colonisation of our intellectual culture. The only idea in the ‘business idea’ is the business of persuading people there’s an idea when there isn’t even a clue. They waste trees like an illegal Amazonian logger and they waste our time as if it belonged to them: they are the windbags of superficial change.
When they call marketing poetry, they piss all over poetry
When they call conferences playful, they shit on play
They are lipstick on the mouth of a corpse
Fuck them because they think they are life, and they are only life’s dull echo.
Posted in anger, architecture, art, design, film, housing, madness, philosophy, poetry, politics
Tagged anger, creative, creative industries, design, graphic design, ire, manifesto, protest, wrath